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Born
into a Javanese noble family in 1928, the student Abdul Aziz became a
revolutionary fighter against the Dutch, then going on to win a
scholarship to study in Rome, Italy in 1959. Six years and two diplomas
later he returned to Indonesia and settled in Bali.
In his studio in the globally-famous art village of Ubud, he created
some of the most beautiful and famous works of art, (paintings,
sculptures, and sketches), ever to come out of South-East Asia.
However, he
was also a dedicated and talented musician who spent his final years
proving to the world that an Indonesian could make a violin to
challenge Stradivarius.
Technically, the paintings of Abdul Aziz exhibit remarkable virtuosity,
due to his fascination with and mastery of ‘trompe l’oeil’ – the use of
the frame to create a three-dimensional illusion, so that his subjects
appear to come forward out of the frame.
This technique, combined with his appreciation of chiaroscuro and human
anatomy, and his appreciation of the Balinese people, particularly
women, have created some of the most impressive and enduring images of
Asia ever.
Never one to strive for wealth or fame, Abdul Aziz only painted when
inspired, and his output over his lifetime was comparatively small if
compared to many prolific artists, hence the great demand for his works
by knowledgeable collectors and by international auction houses.
The only public collection of works by Abdul Aziz is the Neka Art Museum in Ubud, where art lovers flock to see “Mutual Attraction” and other wonderful paintings.
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Aziz' childhood friend, Purwoto Gandasubroto, continues
his recollections! |
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The Violin Maker |
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